《K王之王之失控羔羊》剧情简介
香港自金融风暴后,经济虽渐有起色,但一般小市民仍未能切实地感受得到。娱乐消费,百物胜腾贵,港人兴起往邻近物价较廉的深圳购物消闲。不论男女老幼,顿成风气,特别一班失学无业的边缘少年,三五成群,流连于各大小的士高内,沉沦于酒精及药物等之毒害。一时间各夜市大收旺场,众古惑仔更把握时机,大量推出不同种类的迷幻药物,而最受欢迎的药丸俗称K仔。三哥是香港古惑仔,一向在深圳都很吃得开,的士高开完一间又一间,意气风发,买丸仔简直是明目张胆,并派得力助手亚虎四处招摇,除招揽新力军做拆家外,将地盘伸展,令其对头人Lisa姐不满,多次为利益问题谈判而谈不拢,但碍于公安队队长郭子聪对两虎视眈眈,三哥为唯有暂且收敛,Lisa亦适事宁人以和为贵。其实Lisa姐对虎之胆色及办事能力甚欣赏,欲邀加盟其下。虎虽佩服Lisa姐之魄力及诚意,但虎对效力女性其下感有辱于江湖,且一向义字当头,盲目崇拜三哥,虽对卖K不大欢喜,仍效忠三哥。
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1975 动作简介:Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”