《末路狂欢》剧情简介
大学毕业的散伙饭上,武思逊穿着礼服手里捧着花,准备和女友褚乔求婚,褚乔旁边坐着自己的发小刘炳辉,两人很暧昧。在武思逊准备求婚时,刘炳辉却说出了褚乔的是某跨国集团的千金,还说自己即将和褚乔结婚。武思逊倍感尴尬,逃跑般离开,褚乔追上后两人在马路上发生了争吵。\r\n\r\n褚乔跟着武思逊回到住处,本来想好好聊聊的两个人总是听到隔壁不合时宜的做爱呻吟,黑暗灯光下两人开始接吻,脱衣服。就在剩下最后一步的时候褚乔突然反抗,脑袋撞在桌子上晕厥过去,武思逊瞬间清醒过来,发现褚乔没有了呼吸,就在此时一直尾随的刘炳辉冲进来,让武思逊赶紧跑,情急之下武思逊买了一趟青海的车票。\r\n\r\n清醒后,褚乔就驾车一路朝青海追去,刘炳辉本来可以借着和褚乔结婚一步登天,六年来在褚乔父母面前卑躬屈膝马上“成功”的他恨透了武思逊,刘炳辉找到两个贫困潦倒的人杀死武思逊。
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1975 动作简介:Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”