Warning: mkdir(): No space left on device in /www/wwwroot/new6.com/func.php on line 127

Warning: file_put_contents(./cachefile_yuan/gzleang.com/cache/67/c7a8b/69080.html): failed to open stream: No such file or directory in /www/wwwroot/new6.com/func.php on line 115
《陆小凤传奇之绣花大盗》免费播放-在线观看 - 星辰电影网
播放记录

陆小凤传奇之绣花大盗第1集在线观看

已完结 / / 动作片 /中国大陆 / 2007

《陆小凤传奇之绣花大盗》剧情简介

密林中,一身穿红衣红鞋的女子在悠闲绣花。路过此地的镇远镖局八十万两镖银就此被劫且众人双目均被刺瞎,这名女子转过面来,脸上赫然留着络腮胡;平南王府机关遍布,当着王府总管江重威的面,这绣花大盗不但夺去宝物,还故技重施刺瞎江总管及一干人等的双目。此事震惊江湖,六扇门总捕头金九龄(吴延烨 饰)用激将法请陆小凤(张智霖 饰)出马,生性爱赌的陆小凤与金九龄以八天为限,找出绣花大盗。   陆小凤先去拜访神针薛家,与红颜知己薛冰重逢。二人前往寻找绣花大盗留下的红手帕的线索。司空摘星(张达明 饰)前来与陆小凤打赌,要盗走他手中的红手帕,陆小凤将计就计。江重威双目被刺后一直留在妹妹江青霞住持的栖霞庵养伤,陆小凤前来拜访之际发现了巨大秘密,并由此引出了一个江湖中传闻已久的红鞋子组织。陆小凤把绣花大盗的目标锁定在这个组织内。当然事实远非这么简单。

《陆小凤传奇之绣花大盗》相关视频

  • 神圣之夜:恶魔猎人 5.0 神圣之夜:恶魔猎人
    神圣之夜:恶魔猎人
    2025 动作
    简介:影片讲述狩猎恶魔的黑暗解决师“神圣之夜”团队与崇拜邪恶的犯罪集团对抗的故事。
  • 善恶边缘:暗黑交锋 5.0 善恶边缘:暗黑交锋
    善恶边缘:暗黑交锋
    2025 动作
    简介:一个无畏的堂试图改变他无情的方式和暴力的过去,与家人和平相处。然而,他黑暗的过去继续困扰着他。他直面它并克服它。
  • 蚁型危机 2.0 蚁型危机
    蚁型危机
    2025 动作
    简介:生物学家胡朔为救基因缺陷的儿子,研究用蚂蚁基因改善人类基因,却遭所有人否定,妻子刘幸之也离他而去。黄锦雄因病资助研究,参观实验室时蚁后逃走变异,带领蚁群攻击众人,胡朔和黄锦雄身体也开始蚁化。最终,刘幸之封锁引爆实验室,阻止了浩劫。
  • 盲水2023 9.0 盲水2023
    盲水2023
    2023 动作
    简介:An unrelenting shark turns a couple's dream vacation into a nightmare when they are stranded at sea and forced to fight for their lives.
  • 斗士2025 9.0 斗士2025
    斗士2025
    2025 动作
    简介:在一个被不公正所笼罩的国家,一个火热的年轻人面对强大的腐败网络,挑战现状,为平民人民的权利而战。
  • 夜行客 10.0 夜行客
    夜行客
    1975 动作
    简介:Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”

评论

  • 当前没有评论,赶紧抢个沙发!
  • 网站地图