《学费》剧情简介
水原小学四年级学生禹荣达的父母出门经商半年没有来信,荣达靠祖母每天捡破烂挣来的钱勉强生活着。祖母生病,无法支付3个月学费的荣达没有去学校。他朋友的姐姐贵兰把米送到了荣达家,班主任田代老师也来家访,把学费交给了祖母。但是房东把那笔钱拿去顶了房租,所以荣达又不能去学校了。祖母问荣达, 能不能去平泽的姨妈家取学费。
早上荣达很早就乘牛车出发,在居酒屋取水,走了6里(约20公里)的路,平安到达了平泽的姨妈家。第二天,荣达拿到了学费和大米坐公共汽车回来,跟祖母打了招呼后,就跑到学校交学费。田代老师让荣达看了同学们为他攒钱的友情箱,说今后不要担心学费,要好好学习。荣达从学校回来的时候,收到了父亲的来信,信上说母亲生病了所以没能联系荣达,同时还寄来了一个装有钱、衣服和鞋子的包裹。农乐队过盂兰盆节期间,荣达的父母回到了故乡。
《学费》相关视频
-
3.0 无尽假期
-
7.0 但愿人长久(秦天版)
-
8.0 家人未满
-
8.0 从那不勒斯到纽约
-
6.0 私家侦探
2025 剧情简介:欧阳伟业(古天乐 饰),一个平平无奇的私家侦探,却在一次跟踪行动中,意外被卷入一起骇人血案——妙龄女子惨遭虐杀,狰狞血痕遍布颈间!然而,这仅仅是一个开始,离奇的雨夜车祸、无辜女性被逼殉情、准新娘婚前惨遭毒手……当潘多拉魔盒在血色中开启,一场以情债为名的猎杀游戏正式开启。 血色倒计时即将归零,你,是否敢窥探银幕上的这场桃色献祭?躺在病床上的神秘女人,封闭豪宅里的殉情仪式,这场交织着情欲与复仇的罪恶之网,到底还隐藏着哪些不为人知的终极秘密?大尺度桃色罪案即将掀开血腥的一角…… -
5.0 听好了!
2024 剧情简介:Kaveh Tehrani's coming-of-age film is an adaptation of Gulraiz Sharif's 2020 novel, depicting the increasingly complex summer vacation of 15-year-old Mahmoud. Not only does a sociable uncle from Pakistan visit, but Mahmoud must also navigate the family crisis that unfolds when his little brother Ali has a secret that turns their whole world upside down. It doesn't take long for the film to set the tone: The protagonist, Mahmoud, almost immediately breaks the fourth wall, seamlessly taking on the role of the narrator. The film doesn't look back: it brims with techniques and devices that inject energy into the narrative and provide a framework for the themes, taking us under the skin of what turns out to be a poignant, thought-provoking family drama – all wrapped in the attractive guise of comedy. Questions about identity and belonging in Norwegian society (for both young and older characters) within a multicultural family from Oslo become the central driving force. The adaptation of Gulraiz Sharif's book is solidly directed by debut filmmaker Kaveh Tehrani. While the film aims to maintain its entertainment value, it also carries a sharp political edge – directed equally against society's rigid class structures and conservative family traditions. The talented child actors in the lead roles carry the heart of the film on their shoulders, ensuring that few leave the theater untouched in the end.